| CAT | Composer | Title | Inst | Parts |
|---|---|---|---|---|
| Solo AA 101 | Various | Mrs McGillivray's Welcome - A Bass Recorder Tutor with a Scottish Flavour | B | P1 |
| Solo AA 102 | Various | Rowland-Jones A: Introduction to the Recorder (Tutor for Adults) | S/A or T | |
| Solo AA 109 | Various | Scales, Arpeggios and Exercises for the Recorder | Sop/S/A/T/B | |
| Solo AA 115 | Various | Rowland-Jones A: Introduction to the Recorder 2nd Ed. | ||
| Solo AA 116 | Various | Recorder Technique Anthony Rowland-Jones | ||
| Solo AA 117 | Various | A Practice Book for the Treble Recorder Anthony Rowland-Jones | ||
| Solo AA 118 | Various | Playing Recorder Sonatas Anthony Rowland-Jones | ||
| Solo BA 201 | Bach JS | Sonata in F | A kb | S1 P1 |
| Solo HU 101 | Hunt E | The Bass recorder, A Concise Method | ||
| Solo MI 101 | Milford | Three Airs | A kb | S1 P1 |
| Solo MI 102 | Milford | Sonatina in F | A kb | S1 P1 |
| Solo TE 102 | Telemann | Six Fantasies | A | P1 |
| DUO AA 106 | Various | Rowland-Jones A: Playing Recorder Duets - A Guide | Various | 1 |
| DUO BA 101 | Bach JS | Little Bach book for recorders | Various | S1 |
| DUO BA 102 | Bach JS | Stücke aus dem Notenbüchlein für Anna Magdalena Bach | SA | S1 |
| DUO BA 103 | Bach JS | Andante from Second Brandenburg Concerto | AT kb | S1 P1 |
| DUO BA 104 | Bach JS | Andante from Trio Sonata in D Minor BWV 527 | AT kb | S1 P1 |
| DUO BE 1O1 | Bergmann | Ten Canonic Studies | SA | S9 |
| DUO FR 1O1 | Friedrichsen | Grandfather's Duets Book I | AA | S1 |
| TRI AA 101 | Various | Appleby & Fowler: Recorder Music Book V Duets & Trios | ? | S1 |
| TRI AA 102 | Various | Benoy (arr): Elizabethan & Other Tunes for Recorder Ensemble | SS/AA/T | S3 |
| TRI AA 103 | Various | Bergmann: Accent on Rhythm (Czech & Yugoslav Dances) | SAT | S15 |
| TRI AA 104 | Various | Bettin K (arr): 16 Pieces by Old Masters | SSA/AAB | S2 |
| TRI AA 108 | Various | Dolmetsch (arr): A Medieval and Renaissance Collection | SAT | S6 |
| TRI AA 110 | Various | Hunt (arr): Twelve Christmas Carols | SAT Various | S4 |
| TRI AA 111 | Various | Hunt (arr): Old English Pieces | SSA Various | S2 |
| TRI AA 112 | Various | Katz (arr): Music of the Renaissance | SSA Various | S4 |
| TRI AA 113 | Various | Koschinsky (arr): Rococo Minuet Book | SSA | S3 |
| TRI AA 115 | Various | Ring (arr): Medieval Songs & Dances | SSA | S3 |
| TRI AA 117 | Various | Turner (arr): Five 13th Century Pieces | SAT Various | S3 |
| TRI AA 120 | Various | Symons C (arr): Three Gaelic Melodies | Various | S2 |
| TRI AA 122 | Various | Thomas (arr): Ten French Songs | SAT | S1 |
| TRI AA 124 | Various | Hunt (arr): Trios for Recorders | AAB | S3 |
| TRI AA 125 | Various | Rosenberg S (collected): 44 Pieces for Recorder Consort | Various | S3 |
| TRI AA 126 | Various | Tanner (arr): Flemish Songs & Dances | Various | S8 |
| TRI AA 127 | Various | Turner (arr): Five 13th Century Pieces | SAT Various | S1 |
| TRI AA 128 | Various | Folk Songs for Three Descant Recorders | SSS | S3 |
| TRI AA 129 | Various | Five Brazilian Folk Melodies | SAT | S2 |
| TRI AA 130 | Various | Carols for Descant Recorder Trios | SSS | S2 |
| TRI AA 131 | Various | Rumänische Volksweisen | SAT | S3 |
| TRI AA 132 | Various | Music from the Glogaur Liederbuch | ATB etc. | S4 |
| TRI AG 101 | Agricola | 5 Chansons | ATB | S3 |
| TRI AN 101 | Anonymous | (Morley?): Instrumental Trio for Recorders | SSA | S1(+) |
| TRI AR 101 | Arcadelt | 4 Chansons a 3 (1553) | SST | S3 |
| TRI BA 101 | Bach WF | Two Fughettas | SAT | S4P4(-) |
| TRI BA 201 | Bach JS | The Christmas Story | Various | S9 |
| TRI BA 202 | Bach JS | House Music | SAT (or DUO) | S2 |
| TRI BA 203 | Bach JS | Trio I (BWV 585) | AT kb | S2 P2 |
| TRI BA 204 | Bach JS | Trio II (BWV 583) | AT kb | S2 P2 |
| TRI BA 205 | Bach JS | Prelude 24 & Fugue 2 from book 1 | SAB | S1 P1 |
| TRI BA 206 | Bach JS | Prelude & Fugue XII à 3 (48 bk II) | SAB | S1 P1 |
| TRI BE 101 | Beethoven | Allegro for Flute Clock | SAT | S10 |
| TRI BO 101 | Boismortier | Sonata in F Major | AAA | S13 |
| TRI BO 201 | Boyce | Prelude & Fugue in D Minor | ATB | S9 |
| TRI BR 101 | Britten | Alpine Suite | SSA | S8 |
| TRI BR 201 | Bresgen | Old Hungarian Tunes | SAT | S2 |
| TRI BY 101 | Byrd | Two Fantasies | SAT | S6 |
| TRI CL 101 | Clérambault | Suite for Recorder Trio | ATB | S7 P7 |
| TRI CL 201 | Clemens | Dutch Psalm Tunes | SSA/TTB | S2 |
| TRI CO 101 | Corelli | Selected Pieces | SSA | S1 |
| TRI CO 201 | Couperin | Les Fauvétes Plaintives | SAT | S3 |
| TRI CR 101 | Crossley-Holland | A Little Suite | SAA/T | S17 |
| TRI DA 101 | Davis | Ballad for a Beautiful Butterfly | SAT | S22 |
| TRI EA 101 | East | Five Fancies | SSA + AAT | S6 P6 |
| TRI EV 101 | Evans | Minuet, Trio and Finale | ATB | S20 |
| TRI FA 101 | Faber | Parties sur les fleut dous à 3 (same piece as TRI FA 102) | ATB | S11 |
| TRI FA 102 | Faber | Suite for Three Recorders (same piece as TRI FA 101) | SAT | S8 |
| TRI FA 201 | Farnaby | Eight Pieces | SAT | S11 |
| TRI FE 101 | Ferguson | English Suite for 3 Recorders | SAT | S16 |
| TRI FE 201 | Févin | Four Trios (Fevin & Lemlin) | ATB SAT TTB | S1 P1 |
| TRI FE 301 | Festa | Fifteen Madrigals | ATB etc. | S2 |
| TRI FI 101 | Finger | Sonata for 3 Treble Recorders | AAA | S2 |
| TRI FR 101 | Fricker | Suite for 3 Recorders | AAT | S17 |
| TRI GA 101 | Various | Gannaway (arr): Christmas Pudding No I | SAT | S1 P3 |
| TRI GA 102 | Various | Gannaway (arr): Christmas Pudding No 2 | SAT | S1 P3 |
| TRI GA 103 | Various | Gannaway (arr): The Riddle of the Wren (Trad) | SAT | S1 P3 |
| TRI GA 201 | Gastoldi | 7 Ballette & 2 Villanellen | Various | S2 |
| TRI GI 101 | Gibbons O | Fantasia No I | SAT | S5 |
| TRI GI 102 | Gibbons O | Fantasia No 2 | SST | S1 P1 |
| TRI GI 103 | Gibbons O | Fantasia No 3 | SAT | S3 P3 |
| TRI GI 104 | Gibbons O | Four Fantasias 5,6,7,9 | SST/AAB | S7 P7 |
| TRI GI 105 | Gibbons O | Fantasia I à 3 | SAB | S1 P1 |
| TRI GR 101 | Greene | Voluntary in C Major | SAT | S6 P6 |
| TRI GR 102 | Greene | Prelude & Fugue in Bflat à 3 | ATB | S1 P4 |
| TRI HA 101 | Handel | Suite in C Major | SSA | S5 |
| TRI HA 103 | Handel | Allegro from Concerto Grosso No 1 in G | SAT | S5 |
| TRI HA 104 | Handel | Larghetto & Variation à 3 (from concerto grosso Op.6 No. 12) | SAB | S1 4 9 4 |
| TRI HA 201 | Haydn | Divertimento and Serenade | SSA | S6 |
| TRI HA 202 | Haydn | Partita for Recorder Trio | SAT | S7 |
| TRI HA 203 | Haydn | Music for a Flute Clock | SSA/T | S9 |
| TRI HA 204 | Haydn | Divertimenti in C Major | SSA | S2 |
| TRI HA 205 | Haydn | Divertimento in C (Baryton trio No. 103 in A) | ATB | S1 P1 |
| TRI HA 206 | Haydn | Divertimento in F (Baryton trio No. 11 in D) | ATB | S1 P1 |
| TRI HA 301 | Hartmann P | Rhythmic Scenes | SAT | S3 |
| TRI HI 201 | Hilton | "Tricinia" from "Ayres & Fa La's" 1627 | SSA/SAT | S2 |
| TRI HI 101 | Hindemith | Trio for Recorders | SAT Various | S1 P8 |
| TRI HO 101 | Holborne | Two Fantasias 1597 | SAT Various | S8 |
| TRI HO 201 | Hook | Terzetto | SSA | S3 |
| TRI HO 202 | Hook | Second Terzetto | SSA | S7 |
| TRI HO 203 | Hook | Trio No 2 in F (Op 83 No 2) | AAT | P5 |
| TRI HO 204 | Hook | Trio for 3 Flutes (Op 83 No 4) | SAT | S5 P4 |
| TRI HO 205 | Hook | Trio No 1 in G (Op 133 No 1) | SAT | S2 |
| TRI HO 206 | Hook | Trio Op. 83 No. 1 in D | AA/TT | S1 P1 |
| TRI HO 301 | Hotteterre | Overture (Le Festin) | SAB | S6 |
| TRI IS 101 | Isaac | Instrumental Pieces for 3 Voices | SAT/SST | S4 |
| TRI JE 101 | Jenkins | Suite for 3 Recorders | AAT | S2 |
| TRI KE 101 | Kendell | Seven Variations on a London Street Cry | SAT | S1 P7 |
| TRI KN 101 | Knapp | Suite zu Dritt | SAT | S2 |
| TRI KO 101 | Korda | Suite in the Old Style | Ssa | S2 |
| TRI KU 101 | Kuntz | Folk Dances from the Bohemian Forest | SAT | S3 |
| TRI LU 101 | Lully | Les Trios des Opera | SSA/ATB | S3 |
| TRI LU 201 | Lupo | Fantasia à 3 | STB | S1 P1 |
| TRI MA 101 | Mattheson | Sonata for 3 Treble Recorders | AAA | S6 |
| TRI MA 102 | Mattheson | Sonata in F (Op 1 No 8) | AAA | S2 |
| TRI ME 101 | Mendelssohn | Lift Thine Eyes (Trio from "Elijah") | Various | S1 |
| TRI MI 101 | Milano | Ten Fantasias | ATB | S1 P1 |
| TRI MO 101 | Mozart WA | Selected Movements (arr Bergmann W) | SSA | S5 |
| TRI MO 102 | Mozart WA | Divertimento | SAT | S5 P9 |
| TRI MO 103 | Mozart WA | Divertimento II | SAT | S1 P5 |
| TRI MO 104 | Mozart WA | Country Dances and Minuets | SSA/SS + Guitar | S2 |
| TRI MO 105 | Mozart WA | Divertimento III | SAT | S6 P6 |
| TRI MO 201 | Mozart L | Mozart L: 8 Dances from a notebook for Wolfgang | ST/SAT | S2 |
| TRI MO 301 | Moore | Suite in G | SAT | S5 P5 |
| TRI MO 401 | Morley | 2 trios from "A plaine and easie …" | SAB | S1 P5 |
| TRI MO 402 | Morley | Lady if I through grief à 2 | S/ATB | S1 P5 |
| TRI OB 101 | Oberborbeck | Advent Cantatas | Various | S2 |
| TRI OB 102 | Oberborbeck | Christmas Pieces | Various | S2 |
| TRI PA 201 | Parsley | Salvator mundi à 3 | ATB | S1 P5 |
| TRI PH 101 | Philips P | Trio (arr Dom Gregory Murray) | SAT Various | S4 |
| TRI PO 101 | Poser | Christmas Partita | SAT/SSA | S9 |
| TRI PR 101 | Praetorius M | Chorale for Three Voices | Various | S2 |
| TRI PU 101 | Purcell | Album for Recorders and Piano | SAT | S1 RS1 |
| TRI PU 102 | Purcell | Fantasia à 3 No. 2 | ATB | S1 5 6 5 |
| TRI QU 101 | Quantz JJ | Sonata A 3 | AAA | S3 |
| TRI RO 101 | Rossi | 15 Canzonets | SSA | S3 |
| TRI RU 101 | Ruckels | Passacaglia for recorder ensemble | ATB | S12 |
| TRI SU 101 | Susato | Dances | Various | S12 |
| TRI TA 101 | Taverner | Two Motets in Three Parts | SSA | S3 |
| TRI TO 101 | Tomkins | Two psalm trios | ATB | S1 P1 |
| TRI TO 102 | Tomkins | 7 Penitential Psalms. Set I: 6: O Lord, 102: Hear my, 130: Out of | SAB | S1 |
| TRI VA 101 | Various | Lully-Ritournelle, Purcell-Symphony,-Round | SAT, AAA | S13 |
| TRI WA 101 | Walther | O Gott, du frommer Gott. Liebster Jesu, wir sind hier | SAT | S16 |
| TRI WI 201 | Williams | Basin Street Blues | SAT | S1 P3 |
| QUA AA 101 | Various | Six Sixteenth Century Quartets | SATB | S2 |
| QUA AA 102 | Various | Consort with a Swing - Second Album | SATB(+Sop) | S5 P6 |
| QUA AA 103 | Various | Recorder Pieces 12th to 20th Century. (QUA HO 101, QUA WA 302) | Various | S9 |
| QUA AA 104 | Various | Bresgen (arr) : Nine Turkish Folk Tunes | SATB | S13 |
| QUA AA 105 | Various | Dawes (arr): 4 Qurtets from Mulliner's Book (1555) | SSAT | S2 |
| QUA AA 106 | Various | Dinn (arr): Nine 16th Century Dances Vol I | SAAT | S10 |
| QUA AA 107 | Various | Dinn (arr): Nine 16th Century Dances Vol 2 | SAAT/SSAB | S10 |
| QUA AA 108 | Various | Consorts from Four Nations | Various | S3 |
| QUA AA 109 | Various | Seven Consorts from Dolmetsch Collection | SATB/SSTT | S11 |
| QUA AA 110 | Various | Gardner (arr): Ten Quartets | SATT/SATB | S4 |
| QUA AA 111 | Various | Doctor Bull's My Selfe & Giles Farnaby His Humour (arr. Murray) | SATB | S6 P6 |
| QUA AA 112 | Various | Four 15th Century Pieces | ATTB | S1 P1 |
| QUA AA 113 | Various | Knight (arr): Christmas Carol Tunes | Various | S1 P4 |
| QUA AA 114 | Various | Oxford Book of Carols for Schools Vol I | SSAA/SSAT | S4 |
| QUA AA 115 | Various | Oxford Book of Carols for Schools Vol 2 | SSAA/SSAT | S1 |
| QUA AA 116 | Various | May (arr): Harmonium Voluntaries | SATB | S8 25 15 15 15 |
| QUA AA 117 | Various | Seven Elizabethan Dances | SATB | S4 P12 |
| QUA AA 118 | Various | Robertson (arr): Christmas Carols | SATB | S12 |
| QUA AA 119 | Various | Six Comical Chansons of the 16th Century | SATB | S6 |
| QUA AA 120 | Various | Unger (arr) : Five Hungarian Dances | SS/A8 A/TT | S12 |
| QUA AA 121 | Various | The Christmas Collection | SATB | S1P5 |
| QUA AA 122 | Various | The Jerome Collection: Cesar Franck: Chorale, Widor: Andante Cantabile | SATB | S1 3 5 5 3 |
| QUA AA 123 | Various | Seven more Elizabethan dances | SATB | S1 P1 |
| QUA AA 124 | Various | 3 madrigals à 4 Bennet: Weep ..., O sleep ... Farnaby: Construe … | S A/T T B | S1 8 15 11 6 |
| QUA AA 125 | Various | Seven chansons (Arr. Toby Robertson) | SATB | 6 8 7 4 |
| QUA AA 126 | Anonymous | La shy myze (from Mulliner book) | SATB | S15 |
| QUA AA 127 | Anonymous | O Jesulein süß, o Jesulein mild | SATB | S10 |
| QUA AA 128 | Various | Ancient Canons etc. | SSAT | S2 |
| QUA AA 129 | Anonymous | Macedonian Gypsy Dance | SATB | S28 |
| QUA AA 130 | Anonymous | Greensleeves | SATB | S36 6 7 10 2 |
| QUA AL 101 | Albeniz | Spanish Tango arr. Ross Winters | SATB | S6 P6 |
| QUA AM 101 | Amner | Come Let's Rejoice | S S/A A/T B | S1 P5 |
| QUA AM 201 | Ammerbach | Zwei vierstimmige Passamezzi | SATB | S4 |
| QUA AN 201 | Anonymous | Support your servand/ Richt soir opprest | SATB | S1 4 7 7 5 |
| QUA AN 301 | Anerio | Requiem Aeternam/Christus Factus Est | SATB | S25 |
| QUA AT 101 | Attaingnant | Second Livre de Danceries (1547) | SATB | S13 |
| QUA AT 102 | Attaingnant | Dances from 1529 | SATB | S6 |
| QUA AZ 101 | Azzaiolo | Six Villotte | SATB | S10 |
| QUA BA 105 | Bach JS | 22 Chorale Preludes Vol 5 BWV 629,606,610,638,640,641 | SATB | S6 |
| QUA BA 108 | Bach JS | Six Chorales | SATB | S4 |
| QUA BA 109 | Bach JS | Fugues: BWV537 & WTC Bk 2, 23 BWV 892 | SATB | S1 P1 |
| QUA BA 110 | Bach JS | Art of Fugue Contrapunctus 1 | SATB | S6 P6 |
| QUA BA 111 | Bach JS | Art of Fugue Contrapunctus 4 & 9 | SATB | S6 P6 |
| QUA BA 112 | Bach JS | Six Chorales | SSAT | S4 P4 |
| QUA BA 113 | Bach JS | Fugues II & V | SATB | S5 P5 |
| QUA BA 114 | Bach JS | Two Preludes & Fugues BWV 558, 553 | SSAT/SSTT | S1 P1 |
| QUA BA 116 | Bach JS | (arr Robertson): Fugue Book 2 No 9 | SATB | S1 P8 |
| QUA BA 118 | Bach JS | Fuga Alla Breve E Staccato BWV 550 | SATB | S1 P1 |
| QUA BA 119 | Bach JS | Fugue No. 1 (from the '48') | SATB | S12 |
| QUA BA 120 | Bach JS | Six more chorale preludes BWV606,601,629,602,609,644 | SATB | S7 P7 |
| QUA BA 121 | Bach JS | Contrapunctus I & III | SATB | S6 P6 |
| QUA BA 122 | Bach JS | Canzona BWV 588 | SAAT | S5 |
| QUA BA 123 | Bach JS | Brandenburg Concerto no.1 mvt.1 | SSAT | S23 |
| QUA BA 124 | Bach JS | Chorales II | SATB | S1 P1 |
| QUA BA 125 | Bach JS | Six Chorale Preludes: BWV 610,625,626,638,640,643 | SATB | S1 P1 |
| QUA BA 126 | Bach JS | Four Chorale Preludes: BWV 621,626,709,731 | SATB | S1 |
| QUA BA 127 | Bach JS | Two Fugues BWV 560 & 554 | SATB | S9 |
| QUA BA 128 | Bach JS | Fugue VII (48, Book II) à 4 | SopSAB | S1 P1 |
| QUA BA 129 | Bach JS | Fugue IX (48, Book II) à 4 | SATB | S1 3 5 5 3 |
| QUA BA 130 | Bach JS | Motet No. 6 "Lobet den Herrn" | SATB | S1 P7 |
| QUA BA 130A | Bach JS | Motet No. 6 Lobet den Herrn | SATB | S1 3 5 5 4 |
| QUA BA 131 | Bach JS | Two preludes & fugues - B2P9, B1F9, B1P23, B1F23 | SATB | P2 |
| QUA BA 132 | Bach JS | Weihnachts-Choräle | SATB | S11 |
| QUA BA 133 | Bach JS | O Mensch, bewein dein Sünde gross BWV 622 | SATB | S5 |
| QUA BA 134 | Bach JS | Courante and Gavotte (from Orchestral Suite No 1 in C) | AA/TBGb | S1 P1 |
| QUA BA 135 | Bach JS | Jesu, meine Freude BWV227 Chorale iv | SATB | S17 |
| QUA BA 136 | Bach JS | Fugue à la Gigue BWV 577 | STBB | S1 P1 |
| QUA BA 137 | Bach JS | Alla Breve (BWV 589) | SATB | S1 P6 |
| QUA BA 138 | Bach JS | Fugue V (48 book II) à 4 | STBGb | S1 P1 |
| QUA BA 139 | Bach JS | Fugue 24 (48 book I) | SATB | S1 P1 |
| QUA BA 140 | Bach JS | Four Chorales | SATB | S19 |
| QUA BA 141 | Bach JS | Air und Gavotte | S/AATB | S1 4 8 7 5 |
| QUA BA 142 | Bach JS | Alle Menschen müssen sterben (BWV 643) | SATB | S1 3 6 6 5 |
| QUA BA 201 | Badings | Quartett II | SATB | S2 P6 |
| QUA BA 301 | Bamforth | Shetland Suite op 16 | SATB | S1 P3 |
| QUA BA 401 | Banchieri | Five Fantasias | SATB | S2 |
| QUA BA 501 | Bach J Christian | Sinfonia No. 2 | ATTB | S1 P1 |
| QUA BA 601 | Bach JM | Wenn mein Stündlein vorhanden ist | SSA/TB | S15 |
| QUA BE 101 | Berlioz | The Shepherds' Farewell | SATB | S1 11 11 12 11 |
| QUA BI 101 | Marini | Passacalio | SSAB | S1 P1 |
| QUA BI 201 | Bizet | Farandole from "L'Arlésienne | SATB+perc | S1 P1 |
| QUA BO 101 | Bornefeld | Choral Sonata II | SATB (opt.perc.) | S1 P1 |
| QUA BO 201 | Boyce | Symphony No. 1 | SATB(Gb) | S1 3 4 5 3 |
| QUA BR 101 | Brahms | Motet "O Heiland, reiss die Himmel auf' | SATB | S1 P5 |
| QUA BR 102 | Brahms | Es ist ein Ros' entsprungen | SATB | S1 4 6 6 4 |
| QUA BU 101 | Burghouwt | The Four Elements | SATB | S11 |
| QUA BU 201 | Bush | Yorkshire Dales Suite | SATB | S1 4+ 7+ 9+ 6+ |
| QUA BU 301 | Bullard | Four Lodgers | SATB | S5 1 4 3 3 |
| QUA BY 101 | Byrd | Fantasia à 4 (= QUA BY 109) | SATB | S10 P9 |
| QUA BY 102 | Byrd | Sellenger's Round | SATB | S5 4 4 5 5 |
| QUA BY 103 | Byrd | The Ghost | SATB | S2 P6 |
| QUA BY 104 | Byrd | Three Fantasias | ATTB | S1 4 3 3 3 |
| QUA BY 105 | Byrd | Sanctus & Benedictus à 4 | SATB | S1 P4 |
| QUA BY 106 | Byrd | Puer Natus est nobis & O Admirabile Commertium | SATB | S1 4 6 7 5 |
| QUA BY 107 | Byrd | Fantasia à 4 no. 3 | AS/ATB | S17 0 0 7 0 |
| QUA BY 108 | Byrd | Ave Verum Corpus | SATB | S22 |
| QUA BY 109 | Byrd | Four Part Fantazia (= QUA BY 101) | SATB | S1 P1 |
| QUA CA 101 | Campion | I care not for these ladies | SATB | S13 |
| QUA CA 102 | Campion | Follow thy faire Sunne | SATB | S13 |
| QUA CH 101 | Chédeville N | Quatrième Suite | SATB | S9 P9 |
| QUA CH 201 | Charlton | Three Movements for Four Recorders | SATB | S5 P5 |
| QUA CH 301 | Challinger | Spring Dance | SATB | S1 P16 |
| QUA CH 302 | Challinger | Masquing | SATB(all div) | S1 P3 |
| QUA CH 401 | Charpentier | Suite in d minor | SSA/TB | 4 4 6 4 |
| QUA CH 501 | Chilcott | Anniversary Rounds | SATB | S4 P4 |
| QUA CL 101 | Clemens | Action des Graces | ATTB | P8 |
| QUA CL 201 | Clark P | Suite in A with Antiphon | SATB | S1 P5 |
| QUA CO 101 | Cooke | Suite | SATB | S10 |
| QUA CO 201 | Corelli | Allegro, and Boyce Gavot | SSA/TB | S1 P5 |
| QUA CR 103 | Crecquillon | Ung gay bergier | SATB | S30 |
| QUA CR 201 | Croce | O Sacrum Convivium à 4 | SATB | S1 P4 |
| QUA DI 101 | Diomede | Chromatic Fantasia | SAAT | S5 P14 |
| QUA DO 101 | Dowland | Hymn Tunes Part 2 | SATB | S10 |
| QUA EA 103 | East | Ayerie Fancies Vol 3 Nos 7-10 | SSAT | S12 |
| QUA EA 104 | East | Ayerie Fancies of 4 Parts Book 4 | AATB | S2 P2 |
| QUA EV 101 | Evry | Two Flower Arrangements | SATB | S2 P6 |
| QUA FA 101 | Farquhar | Scherzo | SATB | S20 |
| QUA FR 101 | Franck | Gesang und Tanze 1604 | SATB | S5 |
| QUA FR 102 | Franck | Pavana No 4 | SATB | S1 P10 |
| QUA FR 202 | Frescobaldi | Canzona | SATB | S1 P1 |
| QUA FR 203 | Frescobaldi | Three Toccatas | SATB | S4 P4 |
| QUA FR 204 | Frescobaldi | Canzona on "Ruggiero" | SATB Kb | S1 P1 |
| QUA FR 205 | Frescobaldi | Canzona dopo l'epistola | SATB | S2 5 10 5 3 |
| QUA FR 301 | Froberger | Ricercare | SATB | S4 P4 |
| QUA FR 401 | Frisch | Four Part Dances | SATB | S2 |
| QUA FU 101 | Funccius | Suite for Four Recorders | SATB/SSTB | S12 |
| QUA GA 101 | Gál | Quartettino | SSAT/SSTB | S3 P4 |
| QUA GA 201 | Gabrieli G | Two canzone à 4 1. La spiritata, 2. Canzona seconda | SATB | S1 P2 |
| QUA GE 101 | Genzmer | Quartettino | SATB | S6 P6 |
| QUA GE 201 | Gervaise | Vierstimmige Tanze | SAAB | S9 |
| QUA GE 202 | Gervaise | Quart Livre de Danceries (1550) | SATB | S1 |
| QUA GI 101 | Gibbons O | Fantasia à 4 No. 1 | SAT/BGb | S1 P1 |
| QUA GI 102 | Gibbons O | Fantasia à 4 No. 2 | SABGb | S1 P1 |
| QUA GI 103 | Gibbons O | Fantasia | SATB | S8 2 4 3 2 |
| QUA GL 101 | Gluck | Five Pieces from Orfeo | SATB | S1 P1 |
| QUA GR 101 | Graves | Suite | SSAT | S8 P8 |
| QUA GR 201 | Graham | The Cambridge Hornpipe Hop | SATB | S1 7 20 18 12 |
| QUA GR 301 | Grieg | From the 'Holberg Suite' | SATB | S1 3 5 4 4 |
| QUA GU 101 | Guami | Canzona: La Guamina (à 4) | SATB | S1 P4 |
| QUA GU 201 | Guerrero | Canite Tuba à 4 | TBBGb | S1 P1 |
| QUA GU 202 | Guerrero | O Domine Iesu Christi I | SATB | S4 |
| QUA HA 101 | Hand | Fenland Suite | SAAT | S6 5 6 6 6 |
| QUA HA 201 | Handel | Four Movements from Concerto Grosso Op6 No3 | SATB | S1 4 5 7 3 |
| QUA HA 202 | Handel | "Vinto e l'amor" from Otho | SATB | S1 13 12 14 9 |
| QUA HA 203 | Handel | Fugue in D minor (G264) | ATB Gb | S2 P2 |
| QUA HA 204 | Handel | Arrival of the Queen of Sheba | AATB | S1 P5 |
| QUA HA 205 | Handel | Overture for St. Cecilia's Day, arr W. Bergmann | SATB+kb | S1 5 4 4 3 1 |
| QUA HA 206 | Handel | Overture in G à 4 | SATGb | S1 P1 |
| QUA HA 207 | Handel | Overture to Berenice | ATBGb | S1 P1 |
| QUA HA 208 | Handel | Passacaile | SATB | S1 3 5 5 4 |
| QUA HA 301 | Haydn | Divertimento Op I No 2 | SATB | S2 13 17 17 16 |
| QUA HA 302 | Haydn | Music for Flute-Clock | SATT | S14 |
| QUA HA 401 | Harvey | Six Dances from Bath | SATB | S15 |
| QUA HA 402 | Harvey | Suite No 5 - In Sherwood Forest | SATB | S1 P1 |
| QUA HA 501 | Haussmann | Two Fugues | SATB | S5 P5 |
| QUA HA 601 | Hawkes | Ain't never Satie-sfied | SATB | S20 |
| QUA HA 701 | Hassler | Dixit Maria à 4 | SATB | S1 5 6 7 6 |
| QUA HI 101 | Hilling | A Swing in the Park | SATB | S16 20 19 21 21 |
| QUA HI 102 | Hilling | Samburu Samba | SATB | S4 P4 |
| QUA HI 201 | Peter | Pieces from 4 Centuries | Various | S2 |
| QUA HO 101 | Holst | Gavotte (from QUA AA 103) | SATB | S39 |
| QUA JE 101 | Jenkins | Three Pieces | SATB | S17 |
| QUA JO 101 | Joubert | Dr. Syntax Op. 85 | SAdivTdivBdiv | S1 P1 |
| QUA KA 101 | Katz | Toccata | SATB | S4 P4 |
| QUA KE 101 | Ketelbey | In a Persian Market | SATB div perc | S1 4 6 4 4 |
| QUA LA 101 | Lawes | Pavan and Two Aires in G Minor | SSA/TB | S4 P5 |
| QUA LA 201 | Lappi | Two Italian Canzoni | SATB | S2 |
| QUA LA 301 | Lassus | Bonjour mon coeur | AATB | S27 |
| QUA LA 302 | Lassus | Exaltabo Te Domine à 4 | STTB | S1 6 6 6 3 |
| QUA LA 303 | Lassus | Super flumina Babylonis | SATB | S1 5 7 7 4 |
| QUA LE 101 | Lefébure-Wély | Morceaux de "L'Organiste Moderne" | SATB | S1 3 5 5 6 |
| QUA LO 101 | Lobo | Cum turba plurima à 4 | SATB | S1 4 6 6 5 |
| QUA MA 101 | Macque | Canzon à la Francese | SAAT | S13 |
| QUA MA 201 | Mayr | Suite in F | SSA/TB/T | S12 |
| QUA MA 301 | Massenet | Chorus: "Entrez, astres du jour" from opera Panurge arr Paul Clark | SATB | S1 P1 |
| QUA MA 401 | Marshall | Pavan (from 'Mr Atherton's Booke of Musick') | SATB | S21 |
| QUA MA 402 | Marshall | Made In Wales | SATB | S1 3 5 5 3 |
| QUA MA 501 | Manfredini | Christmas concerto Op. 3 No. 12 | ATBGb/Cb | S1 P1 |
| QUA MA 601 | Marenzio | Hodie Christus natus est | SAA/TT/B | S1 3 4 4 4 |
| QUA MC 101 | McKernon | Jazz Tryptich [sic] | SATB | S1 P1 |
| QUA ME 101 | Meech | Two Pieces | SSAA | S10 |
| QUA ME 201 | Mendelssohn | Fuga from the String Quartet in E flat | SATB | S6 15 13 15 15 |
| QUA ME 301 | Melville | Klezmer Quartet | SATB | S25 |
| QUA MI 101 | Mico | Fancy No 9 | SATB | S2 P11 |
| QUA MI 102 | Mico | Fancy No 13 | SATB | S1 P10 |
| QUA MO 101 | More | Ad te levavi oculos meos | SATB | S1 P1 |
| QUA MO 201 | Moseley | Variations on a Seasonal Theme | SATB | S5 5 9 5 5 |
| QUA MO 302 | Mozart WA | Fugue in D minor | SATB | S1 P1 |
| QUA MO 303 | Mozart WA | Ave verum K618 | SATB | S1 P1 |
| QUA MO 304 | Mozart WA | Divertimento K136 | ATBGb | S2 P1 |
| QUA MO 305 | Mozart WA | Quartet No. 7 K. 160 | SATB | S1 P4 |
| QUA MO 401 | Monteverdi | Kyrie & Agnus 1641 | SATB | S3 9 14 14 9 |
| QUA MO 402 | Monteverdi | Sanctus from missa à 4 (1651) | SAA/TB | S1 P1 |
| QUA MO 403 | Monteverdi | Kyrie from missa à 4 (1651) | SAA/TB | S1 P1 |
| QUA MO 501 | Morley | Now is the gentle season à 4 | SATB | S1 5 5 5 4 |
| QUA MO 502 | Morley | 2 madrigals: In every place, Clorinda false | SATB | S1 P1 |
| QUA MO 503 | Morley | Nolo mortem peccatoris | S/ATTB | S1 P1 |
| QUA MO 504 | Morley | Two quartets from "A plaine and easie Introduction …" | SATB | S1 3 4 4 4 |
| QUA MO 505 | Morley | Eheu! Sustulerunt Dominum | SATB | S25 P1 |
| QUA MU 101 | Murray | Petite Suite Part I | SATB | S14 |
| QUA MU 102 | Murray | Petite Suite Part II | SATB | S14 |
| QUA MU 201 | Mullaley | A little night music | AATB | S1 P5 |
| QUA NE 101 | Neri | Canzone del Terzo Tuono | SATB | S1 P1 |
| QUA NI 101 | Nicolai | Wachet auf | SATB | S14 |
| QUA PA 101 | Palestrina | Two Ricercari arr. Ross Winters | SATB | S7 P7 |
| QUA PA 102 | Palestrina | Ricercar del settimo tuono | TBBGb | S1 P1 |
| QUA PA 103 | Palestrina | Ricercar del ottavo tuono | S/AA/TTB | S1 P1 |
| QUA PA 104 | Palestrina | Salvator mundi | SAA/TT/B | S1 P3 |
| QUA PA 105 | Palestrina | Ricercar del primo tuono | SATB | S1 3 6 4 4 |
| QUA PA 106 | Palestrina | Ricercar del secondo tuono | A/TBBGb | S1 P1 |
| QUA PA 107 | Palestrina | Ricercar del terzo tuono | AA/TTB | S1 P4 |
| QUA PA 108 | Palestrina | Ricercar del quarto tuono | A/TBBGb | S1 P1 |
| QUA PA 109 | Palestrina | Ricercar del quinto tuono | SATB | S1 P3 |
| QUA PA 109A | Palestrina | Ricercare (Quinto Tono) | SATB | P9 |
| QUA PA 110 | Palestrina | Ricercar del sesto tuono | SATB | S1 P3 |
| QUA PA 201 | Pachelbel | Mag ich Unglück nicht widerstahn | SATGb | S17 |
| QUA PE 101 | Pepusch | Overture to Beggars' Opera | SATB kb | S5 P5 |
| QUA PE 201 | Peuerl | Two Suites | SATB/SAAT | S13 |
| QUA PE 301 | Pennick | All the birds of the air | SATB | S4 5 8 8 8 |
| QUA PO 101 | Pointen | Happy Birthday | SATB | S9 |
| QUA PO 201 | Poser | Rendsburger Tänze | SATB | S1 7 10 10 7 |
| QUA PR 101 | DesPres | Ave Maria Virgo Serena | SATB | S1 5 6 6 5 |
| QUA PR 201 | Praetorius M | En natus est Emanuel | SATB | S1 4 4 4 5 |
| QUA PU 101A | Purcell | Music to Dioclesian (Schott) | SATB kb | S6 |
| QUA PU 101B | Purcell | Incidental Music from Diocletian (Oriel) | SATB | S7 11 13 14 11 |
| QUA PU 102 | Purcell | Suite - The Fairy Queen | SATB | S1 12 15 14 12 |
| QUA PU 103 | Purcell | Fantasia No 12 | SATB | S7 P7 |
| QUA PU 104 | Purcell | Five Instrumental Pieces | SATB | S29 |
| QUA PU 105 | Purcell | Chacony | SATB | S5 11 13 13 9 |
| QUA PU 106 | Purcell | Fantasias Nos 10 & 11 | SATB | S5 P5 |
| QUA PU 107 | Purcell | Fantasias Nos 4 & 6 | SATB | S10 P10 |
| QUA PU 108 | Purcell | 1st Set of Pieces from the Faerie Queen | SATB | S16 |
| QUA PU 109 | Purcell | Fantasias 7 & 8 | SATB | S7 P7 |
| QUA PU 110 | Purcell | Pavan à 4 in D minor | SAAB/ATTGb | S1 P1 |
| QUA PU 111 | Purcell | Fantazia à 4 (31.8.1680) | SATGb | S1 P1 |
| QUA PU 112 | Purcell | Fantazia à 4 (16/18/19.8.1680) | SATB | S1 P1 |
| QUA PU 113 | Purcell | Fantazia à 4 (30.6.1680) | SATGb | S1 P1 |
| QUA PU 114 | Purcell | Fantazia à 4 (22.6.1680) | SATB | S1 P1 |
| QUA PU 115 | Purcell | Fantazia à 4 (19.6.1680) | SATB | S1 P1 |
| QUA PU 116 | Purcell | Fantazia à 4 (10.6.1680) | SATGb | S1 P1 |
| QUA PU 117 | Purcell | Magnificat | SATB | S1 P5 |
| QUA PU 118 | Purcell | The Gordian Knot Untied | SATB | S5 P9 |
| QUA PU 119 | Purcell | Nunc Dimittis | S(div)ATB | S1 P5 |
| QUA RE 101 | Reicha | Menuetto from the Quartet for 4 flutes | SAAT | S5 |
| QUA RI 101 | Rivander | Suite in F | SATB | S5 |
| QUA RI 201 | Ridout | Chain | AATB | S28 |
| QUA RO 101 | Rore da | A la Dolc'Ombra | SATB | S15 |
| QUA RO 102 | Rore da | Ancor che col partire | SATB | S31 |
| QUA RO 201 | Rossi | Sinfonien und Gaillarden | SATB | S5+8xpp2-7 |
| QUA RU 101 | Rubbra | Notturno (Op. 106) | SATB | S5 P5 |
| QUA SA 101 | Saux | Quartet in F for Recorders | SATB | S1 3 4 4 4 |
| QUA SA 102 | Saux | Quartet in G No 2 for Recorders | SATB | S1 13 15 13 13 |
| QUA SC 101 | Scheidt | Fantasia super Io Son Ferito Lasso | SATB | S1 P1 |
| QUA SC 102 | Scheidt | 3 Consorts à 4 | SATB | S1 4 5 5 4 |
| QUA SC 103 | Scheidt | Fünf Stücke | SATB | S1 P1 |
| QUA SC 201 | Schütz | Fantasia à 4 (after SWV 61/62) | SATB | S4 4 6 6 4 |
| QUA SE 101 | Seiber | Three Hungarian Folksongs | SSAT | S5 P5 |
| QUA SE 102 | Seiber | Dance Suite Volume 1 | SATB | S1 2 7 7 3 |
| QUA SE 103 | Seiber | Dance Suite Volume 2 | SATB | S1 3 7 7 3 |
| QUA SE 201 | Senfl | German Songs | SATB | S6 |
| QUA SE 301 | Sermisy | Jouissance vous donneray | SATB | S46 |
| QUA SH 101 | Short | Three Chinese Pictures | SATB | S8 P9 |
| QUA SH 102 | Short | Intrad, Song & Dance | SATB | S21 |
| QUA SH 201 | Sharma | Tortoises | SATB | S20 |
| QUA SI 101 | Simpson T | Taffel-Consort (1621) | SSAB +kb | S1 P1 |
| QUA SO 101 | Sousa | Liberty Bell (arr Ian Moore) | SATB | S0 P9+ |
| QUA ST 101 | Staeps | Sieben Flotentänze | SAAT | S22 |
| QUA ST 103 | Staeps | The Unicorn's Grace | SATB(all div.) | S1 P3 |
| QUA SU 101 | Susato | Dancerye Heft 1 | Various | S6 |
| QUA SU 102 | Susato | Dancerye Heft 2 | Various | S5 |
| QUA SU 103 | Susato | Danse de Berger | ATTB | S13 |
| QUA SW 101 | Sweelinck | Variations on an Old German Song | SAAT | S7 P9 |
| QUA TA 101 | Tallis | O Lord, give thy Holy Spirit | SATB | S2 4 6 6 4 |
| QUA TA 102 | Tallis | Hear the voice and prayer à 4 | ATTB | S1 P1 |
| QUA TC 101 | Tchaikovsky | Dance of the Sugar Plum Fairy | SATB | S1 P1 |
| QUA TE 101 | Telemann | Four Fugues | SATB | S12 |
| QUA TE 102 | Telemann | Seven Wedding Dances | SATB | S38 |
| QUA TE 103 | Telemann | Suite à 4 in C "La Lyra" | SATB | S2 P1 |
| QUA TE 201 | Templeton | Bach goes to Town | SATB | new |
| QUA TH 101 | Thompson | Prelude & Rondo | SATB | S1 P4 |
| QUA TH 102 | Thompson | Jubilee Waltz | SATB | S5 5 6 6 5 |
| QUA TH 201 | Theile | Suite á 4 | SATB | S5 |
| QUA TO 101 | Tomkins | 5 Pavans & 2 Galliards | SATB | S1 |
| QUA TO 102 | Tomkins | A Sad Pavan | SATB | S19 |
| QUA TO 103 | Tomkins | I heard a voice from heaven | STTB | S1 3 4 4 4 |
| QUA VA 101 | Various | West Country Suite arr. Eileen Silcocks | SATB | S6 P6 |
| QUA VI 101 | Vivaldi | Sinfonia Al Santo Sepulcro | AATB | S6 P6 |
| QUA VI 102 | Vivaldi | Largo from Concerto in F minor | SATB | S4 |
| QUA VW 101 | Vaughan Williams | Prelude on the hymn tune rhosymedre (arr. Paul Clarke) | SATB | S5 P5 |
| QUA WA 101 | Walton | Six Pieces | SATB | S0 3 7 7 3 |
| QUA WA 201 | Warlock | Bethlehem Down | SATB | S12 P3 |
| QUA WA 301 | Walther | Kom heiliger geyst herre Gott | SATB | S15 |
| QUA WA 302 | Walther | 2 chorales: Aus tiefer Not, Christ lag in Todesbanden (QUA AA 103) | SATB | S11 |
| QUA WH 101 | White | Two In Nomines | SATB | S48 |
| QUA WI 102 | Widman | (& Voelcke)l: Dances for 4 Recorders | SATB | S2 |
| QUA WI 201 | Willaert | Four Villanelle (1545) | SATB | S9 |
| QUA WI 202 | Willaert | O Magnum Mysterium | SATB/ABBGb | S1 P1 |
| QUA WI 203 | Willaert | Five Villanelle (1545) | SATB | S2 |
| QUA WI 301 | Wilson | Putting the Taunt | SATB | S1 3 6 5 4 |
| QUA WI 401 | Wilbye | Adieu, Sweet Amaryllis | SATB | S1 P5 |
| QUA ZI 101 | Zipp | Hausmusik | SATB(+divs.) | S2 P2 |
| QUI AA 102 | Taverner | Four Dances (1547) for Five Recorders | SAATB | S9 |
| QUI AA 103 | Various | Coperario/Johnson: Eight Masque Dances | SSATB | S1 P5 |
| QUI AA 104 | Various | Dering/Okeover: Two Fantasias | SSATB | S1 P1 |
| QUI AA 105 | Praetorius M | Seven Gavottes | SA A/YTB | S13 |
| QUI AA 106 | Praetorius M | Terpsichore | Various | S15 |
| QUI AA 107 | Various | Sousa/Teike: Liberty Belle & Old Comrades | SAA/TTB | S1 4 5 5 7 6 |
| QUI AA 109 | Various | Stonings: Browning my Dear; Woodcock: Hackney | SAATB | S24 |
| QUI AA 113 | Anonymous | Lewin A (arr): Three Welsh Folk Songs | SATTB | S4 P4 |
| QUI AA 114 | Various | Three May Madrigals (Morley, Gibbons, Weelkes) | SSATB | S6 P1 |
| QUI AA 115 | Various | The Consort Collection Vol II 36 pieces for 5 recorders | SSATB etc | S3 |
| QUI AA 116 | Anonymous | Assumpta est Maria | SAATB | S5 |
| QUI AA 117 | Anonymous | Joshua! | SATBB/Cb | S1 3 8 6 3 3 |
| QUI AD 101 | Adson | Courtly Masking Ayres (1621) Vol I | SSATB | S7 5 6 7 7 7 (+Lute etc.) |
| QUI AL 101 | Albinoni | Concerto à 5 in B flat | AATTB | S1 P1 |
| QUI AM 101 | Amner | I will sing unto the Lord à 5 | ATTBB | S1 3 3 3 2 2 |
| QUI AM 102 | Amner | He that descended man to be à 5 | SAATB | S1 3 3 3 3 5 |
| QUI BA 102 | Bach JS | Cantata BWV106 (Actus Tragicus) | AABBGb | S3 11 11 3 3 2 |
| QUI BA 103 | Bach JS | Jesu, meine Freude (BWV 227) | SAATB | S1 5 7 7 6 5 |
| QUI BA 104 | Bach JS | Aus tiefer not schrei ich zu dir à 5 | SATBGb | S1 P1 |
| QUI BA 105 | Bach JS | Liebster Jesu, wir sind hier Orgelbüchlein no. 35 BWV 634 | SAATB | S17 |
| QUI BA 106 | Bach JS | Allegro: 1st movt. From Concerto à 5 in D minor (BWV 11041) | AATBGb | S1 P1 |
| QUI BA 107 | Bach JS | Allegro assai: 3rd movt. fromConcerto à 5 in D minor (BWV 11041) | AATBGb | S1 P1 |
| QUI BA 108 | Bach JS | Andante: 2nd movt. fromConcerto à 5 in D minor (BWV 1041) | AATBGb | S1 P1 |
| QUI BA 301 | Ball | Suite: Music for a Banquet | SopSATB | P1 |
| QUI BI 101 | Binge | Elizabethan Serenade | SAATB | S1 P9 |
| QUI BO 101 | Boismortier | Concerto in D minor (from Op. 37) | ATTBGb | S1 P1 |
| QUI BR 101 | Brade | First Set of Quintets | SSATB/T | S2 P2 |
| QUI BR 102 | Brade | Pavans, Galliards & Canzonas (1609) | SSATB | S2 P2 (bxd) |
| QUI BR 103 | Brade | English Consort | SSATB | S1 P1- |
| QUI BU 101 | Bullard | North Sea Sketches | SAATB +SopGbCb | S1 P6 + 1 1 1 |
| QUI BY 101 | Byrd | Fantasia A 5 No 5 | SATTB | P3 4 3 3 2 |
| QUI BY 102 | Byrd | Seven Pieces | SAT various | S10 |
| QUI BY 103 | Byrd | The Leaves Be Green (G) (see also QUI BY 104) | SAATB | S2 4 4 4 6 4 |
| QUI BY 104 | Byrd | Fantasia The leaves be Greene (F) (see also QUI BY 103) | AATTB | S1 P1 |
| QUI BY 105 | Byrd | Preludium | SAATB | S1 P1 |
| QUI BY 106 | Byrd | Plorans plorabit, Miserere mei, Emendemus in melius | SATTB | P6 |
| QUI BY 107 | Byrd | Laudibus in Sanctis | AATBB | S1 P1 |
| QUI BY 108 | Byrd | In Resurrectione Tua | SATTB | S1 3 4 3 3 4 |
| QUI BY 109 | Byrd | Emendemus in melius à 5 | SATTB | S1 P3 |
| QUI BY 110 | Byrd | Iustorum amimae | S/AATTB | S16 |
| QUI BY 111 | Byrd | Iustorum amimae | SS/AATB | S1 P3 |
| QUI BY 112 | Byrd | The fifth Pavan | SATTB | S10 0 0 4 3 0 |
| QUI BY 113 | Byrd | Kyrie and Gloria (from mass for 5 voices) | SATTB | S1 P1 |
| QUI BY 114 | Byrd | Sanctus and Benedictus (from mass for 5 voices) | SAA/TTB | S1 P1 |
| QUI BY 115 | Byrd | Credo (from mass for 5 voices) | SATTB | S1 P1 |
| QUI BY 116 | Byrd | Agnus Dei (from mass for 5 voices) | SATTB | S1 P1 |
| QUI BY 117 | Byrd | Ne irascaris Domine | ATTBB | 6 4 4 4 4 |
| QUI BY 118 | Byrd | Laetentur Coeli | SAA/TTB | S1 P1 |
| QUI BY 119 | Byrd | Browning à 5 | AA/TTTB | S1 P1 |
| QUI BY 120 | Byrd | Lullaby, my sweet little baby | SS/AATB | S12 |
| QUI CH 101 | Challinger | Ballad Blues & Riffs | SAATB | S5 P5 |
| QUI CL 101 | Clark P | Irish Suite | SATTB | S6 P6 |
| QUI DE 101 | Demantius | 15 Dances for 5 Instruments 1601 | SATTB | S1 2 1 2 1 2 |
| QUI DE 201 | Delalande | Super Flumina Babilonis | SAA/TTB | P4 5 5 5 4 |
| QUI DO 101 | Dowland | Four Ayres | SSATB | S1 P1 |
| QUI DO 102 | Dowland | Lachrimae Vol I | SATTB | S9 |
| QUI DO 103 | Dowland | Lachrimae etc. Vol II | SATTB | S25 |
| QUI DO 104 | Dowland | Lachrimae Vol III | SATTB | S2 |
| QUI DO 105 | Dowland | Lachrimae Vol IV | SATTB various | S9 |
| QUI DO 106 | Dowland | Lachrimae Vol V | SATTB | S1 |
| QUI DO 107 | Dowland | Lachrimae Vol VI | SATTB | S8 |
| QUI DO 108 | Dowland | Lachrimae Vol VII | SATTB | S22 |
| QUI DO 109 | Dowland | Lachrimae Antiquae | SATTGb | S18 |
| QUI DO 110 | Dowland | Lachrimae Antiquae Novae | SATTB | S17 |
| QUI DO 111 | Dowland | Lachrimae Tristes | SATTGb | S13 |
| QUI DO 112 | Dowland | Lachrimae Gementes | SATTB | S13 |
| QUI DO 113 | Dowland | Lachrimae Coactae | SATTB | S13 |
| QUI DO 114 | Dowland | Lachrimae Amantis | SATTB | S13 |
| QUI DO 115 | Dowland | Captain Digorie Piper his Galiard | SATTB | S17 |
| QUI DO 116 | Dowland | Sir Henry Umpton's Funerall | SATTB | S13 |
| QUI DO 117 | Dowland | Lachrimae Verae | SAAATB | S15 |
| QUI DO 119 | Dowland | Mistresse Nichols Almand | SAA/TTB | S15 |
| QUI DO 120 | Dowland | M. Giles Hobies Galiard | SAATB | S17 |
| QUI DO 121 | Dowland | The Earl of Essex Galliard | SSATB | S13 |
| QUI DO 122 | Dowland | M. George Whitehead his Almand | SAATB | S9 |
| QUI EA 101 | East | Desperavi | SSATB | S2 P12 |
| QUI EA 102 | East | Amavi & Triumphavi | SSATB | S6 P6 |
| QUI EA 103 | East | Hence stars, too dim of light à 5 | SATTB | S1 4 6 4 5 5 |
| QUI FE 101 | Ferrabosco (II) | First Set of Pieces for 5 Recorders: Dovehouse, Alman, 4-note | SAATB | S9 |
| QUI FE 102 | Ferrabosco (II) | Four-note Pavan | SAA/TTB | S18 |
| QUI FE 103 | Ferrabosco (II) | Dovehouse Pavan | SAATB | S18 |
| QUI FE 104 | Ferrabosco (II) | Alman | SAATB | S16 |
| QUI GA 101 | Gabrieli G | Canzon Prima (1615) | SATTB (kb) | S5 P5 |
| QUI GA 201 | Gastoldi | Eight "Balletti" (1596) | Various | S30 (2 pks) |
| QUI GE 101 | Geminiani | Concerto Grosso Op 3 No 4 | SATTB | S5 5 5 6 6 6 |
| QUI GE 201 | Gesualdo | Bella Angioletta | SAATB | S1 2 4 4 3 3 |
| QUI GE 202 | Gesualdo | Moro, lasso | SAATB | S1 3 4 5 5 4 |
| QUI GI 101 | Gibbons O | Ah Dear Heart & The Silver Swan | Various | S10 |
| QUI GI 102 | Gibbons O | Now each flowery bank of May à 5 | SATTB | S2 3 6 4 3 6 |
| QUI GI 103 | Gibbons O | Fair Ladies à 5 | SSATB | S1 P1 |
| QUI GI 104 | Gibbons O | Fair is the rose | SAATB | S1 4 6 6 8 5 |
| QUI GI 105 | Gibbons O | Tust not too much fair youth | SSATB | S1 P1 |
| QUI GI 106 | Gibbons O | How art thou thralled? à 5 | SSTTB | S1 P1 |
| QUI GI 107 | Gibbons O | I weigh not Fortune's frown à 5 | SSATB | S1 P1 |
| QUI GI 201 | Gibbons E | Long live fair Oriana à 5 | SSATB | S1 P1 |
| QUI GU 101 | Guerrero | Ave Virgo Sanctissima à 5 | SSTBB | S2 P6 |
| QUI HA 101 | Handel | The Music for the Royal Fireworks arr. Anthony Baines | SSATB | S23 1 1 0 0 0 |
| QUI HA 103 | Handel | Water Music - 2nd Suite | SSATB | S1 P1 |
| QUI HA 104 | Handel | Et in Saecula Saeculorum, Amen (from Dixit Dominus) | SSATB(div) | S1 4 4 4 4 8 |
| QUI HA 105 | Handel | Sonata Op. 2 No. 8 à 5 | AATBGb | S1 P1 |
| QUI HA 301 | Hassler | Six Lieder from 'Lustgarten' 1601 | SSATB | S4 |
| QUI HA 302 | Hassler | Three 5-part Motets | SATTB/SAATB/SSATB | S1 P1 |
| QUI HA 401 | Handl | Omnes de Saba venient à 5 | SATTB etc. | S1 P4 |
| QUI HO 101 | Holborne | First Set of Quintets | SSATB | S4 |
| QUI HO 103 | Holborne | Suite for Five Recorders | SAATB | S13 |
| QUI HO 104 | Holborne | Pavan & Galliard | SATTB (Var) | S9 |
| QUI HO 105 | Holborne | Two Pavans & Two Galliards | SAATB (Var) | S15 |
| QUI HO 106 | Holborne | Two Quintets: The Cradle, The new Yeares Gifte (also in QUI HO 108) | SATTB (Var) | S11 |
| QUI HO 107 | Holborne | A Second Set of Quintets (all in QUI HO 108) | SSATB | S9 |
| QUI HO 108 | Holborne | Pavans, Galliards, Almains (1599) | SATTB | S4 P4 (4 pks) |
| QUI HO 109 | Holborne | A Third Set of Quintets | SSATB | S2 |
| QUI HO 110 | Holborne | Three Quintets (including Marie Golde) | SAATB | S6 |
| QUI HO 111 | Holborne | Six Galliards (all in QUI HO 108) | SATTB | S1 P1 |
| QUI HO 112 | Holborne | Four Pavans (all in QUI HO 108) | S/AATTB | S1 P1 |
| QUI JE 101 | Jenkins | Pavan à 5 No. 3 | SSTTB | S1 P1 |
| QUI LA 101 | Lawes | Fantasia & Air | SSATB | S2 P2 |
| QUI LA 102 | Lawes | Paven à 5 in C | SSTTB | S1 P1 |
| QUI LA 103 | Lawes | Fantazy à 5 in A minor | SSATB | S1 P1 |
| QUI LA 201 | Lassus | Quem vidistis pastores? | TTBBGb/SSAAT | S1 P1 |
| QUI LA 202 | Lassus | Resonet in Laudibus | SATTB | S1 3 5 3 4 4 |
| QUI LO 101 | Locke | Music for His Majesty's Sackbutts & Cornetts | SAATB | S1 P1 |
| QUI LO 201 | Lobo | Ave Regina Coelorum à 5 | AABBGb | S1 P1 |
| QUI MA 101 | Marenzio | 'Solo e Pensoso' | SAATB | S8 |
| QUI MA 102 | Marenzio | Sotto L'ombra à 5 | SAATB | S1 P1 |
| QUI MA 201 | Martino | Divertimento | SSATB | S3 P3 |
| QUI MA 301 | Marcello | Concerto in C minor à 5 | SATBGb | S1 P1 |
| QUI MA 401 | Marson | The nymphs and shepherds danced à 5 | AA/TTT/BB | S1 P1 |
| QUI MA 501 | May | A Flower Arrangement | SATTB | 2 3 3 2 2 |
| QUI MO 101 | Mozart WA | Adagio K411 | SopSATB | S4 P4 |
| QUI MO 102 | Mozart WA | Kyrie Eleison | AAAAA/T | S1 P1 |
| QUI MO 201 | Morley | O amica mea | SSATB | S1 P1 |
| QUI MO 202 | Morley | Arise Awake à 5 | SATTB | S1 5 5 6 5 4 |
| QUI MO 203 | Morley | I follow, lo, the footing à 5 | SSATB/ATBBGb | S1 P1 |
| QUI MO 301 | Moritz der Gelehrte | Selected Dances | SSATB | S1 P1 |
| QUI MO 302 | Moritz der Gelehrte | Pavana d'Eccelio | SSATB | S14 |
| QUI MO 401 | Monteverdi | Dances from "l'orfeo" | SSATB | S1 3 3 5 5 4 |
| QUI MU 101 | Mundy W. | 2 Elizabethan Fancyes (Mundy-O Mater Mundi, White-Songe) | ATTTB | S1 P1 |
| QUI MU 102 | Mundy W. | O Mater Mundi | AATT/BB | S1 P3 |
| QUI MU 103 | Mundy W. | Fantasia à 5 | SSATB | S1 P1 |
| QUI MU 201 | Mundy J. | Lightly she whipped o'er the dales | SSABB | S1 P1 |
| QUI NI 101 | Nicholson | 3 consort pieces: cuckoo, I am not I …, Joan quoth John | SSATB | 2 2 6 4 4 |
| QUI NO 101 | Norcombe | With angel's face and brightness à 5 | SSTTB | S1 P1 |
| QUI OC 101 | Ockeghem | Intemerata Dei mater | SATBB | S1 P2 |
| QUI OK 101 | Okeover | Fantasy | SSATB | S1 2 2 4 4 3 |
| QUI PA 101 | Parsons | De la Court, In Nomine, A Song Called Trumpetts | SS/AATB | S6 P6 |
| QUI PA 102 | Parsons | A song of Mr. Robert Parsons | STTBGb | S1 P1 |
| QUI PA 201 | Parry | Never weather beaten sail | SAATB | S1 3 4 4 4 3 |
| QUI PA 301 | Parsley | Spes nostra à 5 | SAATB | S1 3 3 3 4 3 |
| QUI PA 401 | Palestrina | Io Son Ferito | SAATT/B | S1 P2 |
| QUI PA 402 | Palestrina | Agnus Dei II | SSATB | S1 1 1 4 4 4 |
| QUI PA 403 | Palestrina | Canite tuba in Sion à 5 | ATBBGb | S1 P1 |
| QUI PA 404 | Palestrina | Missa pro Defunctis | SATTB | P2 |
| QUI PA 405 | Palestrina | Ierusalem convertere | SSATT etc. | S21 |
| QUI PE 201 | Peuerl | Two Canzons | SSA/TTB | S6 P6 |
| QUI PE 301 | Pennick | First Folk Song Suite | Sop/ASATB | S1 P1 |
| QUI PH 101 | Philipps R | Pour vous amour | SAATB | S20 |
| QUI PH 201 | Philips P | Ascendit Deus à 5 | SSATB/AABBGb | S1 P1 |
| QUI PH 202 | Philips P | O beatum et sacrosanctum diem à 5 | SSATB | S1 P1 |
| QUI PR 101 | DesPres | La Spagna | ATTBB | S7 P2 |
| QUI PR 102 | DesPres | Inviolata, integra et casta | AATTB | S1 P14 |
| QUI PR 103 | DesPres | Douleur me bat | SATBB | S14 5 5 5 4 4 |
| QUI PR 201 | Praetorius M | La Volta | SSATB | S15 |
| QUI PU 101 | Purcell | Remember not, Lord our offences | SSATB | S1 5 8 8 8 7 |
| QUI PU 102 | Purcell | Lord, how long wilt Thou be angry | S S/A A/T T B | S1 5 6 6 6 5 |
| QUI RA 101 | Ravenscroft | Fantasia No 4 | SSATB | S2 3 3 4 5 4 |
| QUI RO 101 | Rodgers | (arr Pointon): Edelweiss | SSATB | S14 |
| QUI RO 201 | Robinson | River Song | SATTB | S22 |
| QUI RU 101 | Runswick | Good King Wenceslas - Variations for recorders | SATBGb | S1 4 10 10 8 4 |
| QUI SA 101 | Saint-Saens | (arr Lewin): Fossiles from Carnival of the Animals | SopSATB | S3 P3 |
| QUI SC 101 | Schein | Suite No 8 for Five Recorders | SSATB | S10 |
| QUI SC 104 | Schein | Suites 6 & 12 from Banchetto Musicale (1612) | SSATB | S6 |
| QUI SC 106 | Schein | Suite no. 5 | SSATB | SS8 A9 T10 B9 |
| QUI SC 107 | Schein | Suites 7 and 17 | SSATB | S10 |
| QUI SC 201 | Schmeltzer | Sonata | SSATB | S2 P7 |
| QUI SC 301 | Scheidt | Cantus XXX | SSATB | S1 P4 |
| QUI SC 302 | Scheidt | Cantus XXXI: Cantus super cantionem Belgicam | SSATB | S1 4 5 6 6 5 |
| QUI SC 401 | Schütz | Cantate Domino canticum novum | SATBCb | S1 3 6 6 4 4 |
| QUI SH 101 | Short | Invocation and Fugue | SAATB | S2 3 4 4 3 3 |
| QUI ST 101 | Stanford | My love's an Arbutus & The Blue Bird | SATTB, SSATB | S3 5 8 4 3 7/3 5 8 4 7 |
| QUI SU 101 | Sullivan | Six Dances from Gilbert & Sullivan | SAAT/BB | S1 3 5 2 1/1 2 |
| QUI SW 101 | Sweelinck | Hodie Christus natus est | AATBB | S1 P3 |
| QUI TA 101 | Tattersall | Alien Landscapes II | AATTB | S9 P15 |
| QUI TA 201 | Tallis | In Ieiunio et fletu à 5 | ABBBGb | S1 P1 |
| QUI TA 202 | Tallis | Laudate Dominum à 5 | ATTBB | S1 P1 |
| QUI TA 203 | Tallis | Salvator mundi à 5 | SATTB | S1 4 6 6 6 5 |
| QUI TA 204 | Tallis | The lamentations of Jeremiah (Part II) see also QUI TA 206 | ATTBGb | S1 P1 |
| QUI TA 205 | Tallis | A Solfing song à 5 | STTBB | S1 P1 |
| QUI TA 206 | Tallis | The lamentations of Jeremiah (Part I) see also QUI TA 204 | ATTBGb | S1 P1 |
| QUI TA 207 | Tallis | Candidi Facti Sunt à 5 | ATBBGb | S1 P1 |
| QUI TA 208 | Tallis | Derelinquat impius | ATTBB | S1 P1 |
| QUI TE 101 | Telemann | Concerto à 5 (from the Oboe Concerto in F minor) | SATBGb | S1 P1 |
| QUI TH 101 | Thompson | Tango | SAATB | S8 8 9 9 8 8 |
| QUI TH 102 | Thompson | Latin American Suite | SAATB | S2 P10 |
| QUI TO 101 | Tomkins | The Fauns and Satyrs Tripping | SSATB | S1 P1 |
| QUI TO 102 | Tomkins | When David Heard that Absalom Was Slain | SAATB | S1 P1 |
| QUI TY 101 | Tye | Two Quintets Rubum quem, Madona | SAATB | S15 |
| QUI TY 102 | Tye | 5 quintets Rubum quem, Madona, Christus resurgens, Amavit, Lawdes Deo | SAATB | P2 |
| QUI TY 103 | Tye | Three Quintets Crye, O lux beata trinitas, Farewell my good 1 forever | SS/ATTB | S1 P1 |
| QUI TY 104 | Tye | 2 In Nomines | SSTTB | S5 |
| QUI VI 101 | Vitali | La Scalabrina - Sonata for 5 Recorders | SSATB | S1 3 3 6 7 3 |
| QUI VI 201 | Vivaldi | Concerto in C RV 443 | SopAATB+Cb | S1 3 6 6 6 6 |
| QUI VI 202 | Vivaldi | Laudamus Te | A/TA/TAT/BGb/Cb | S1 P1 |
| QUI VI 302 | Victoria | Dum complerentur dices pentecostes | SSAA/TB | S1 P1 |
| QUI VI 303 | Victoria | Ascendens Christus | AATT/BB | S1 P6 |
| QUI WA 101 | Warlock | Capriol Suite | SAATB | S2 P4 |
| QUI WA 201 | Ward John | Fantasia à 5 No 2: La Rondinella | SSATB | S1 P1 |
| QUI WA 202 | Ward John | Fantasia à 5 No 10 | SSATB | S1 P1 |
| QUI WE 201 | Wert | 2 Villanelles | SSATB | S5 |
| QUI WH 101 | White | Mr White his Song | S/AAA/TTBB | S1 P3 |
| QUI WO 101 | Woodcock | 'Browning Fantasy' | SATTB | S2 P3 |
| SEX AA 101 | Various | Suite from the Royal Wind Music of King James I | SSATTB | S3 6 6 8 4 5 7 |
| SEX AA 102 | Various | The Recorder Consort - 47 Pieces for Recorder Consort 1 to 6 parts | SSATTB | S2 |
| SEX AA 103 | Various | Three Instrumental Pieces from Durham Cathedral Library | SSATTGb | S18 |
| SEX AA 104 | Various | Tomkins-music divine, Wilbye-Draw on sweet night | SSATTB | S5 P6 |
| SEX AA 105 | Various | The Fitzwilliam collection, Six pieces ... | SATBGbCb | S4 5 9 7 7 5 5 |
| SEX AA 106 | Various | The Loves of Mars & Venus | SATBGbCb | S1 3 8 10 3 2 1 |
| SEX AD 101 | Adson | Courtly Masquing Ayres 1621 | Various | S4 P1 |
| SEX AL 101 | Allegri | Suite in 6 Parts | SSATTB | S5 P5 |
| SEX AL 201 | Albinoni | Concerto in C, Op. 9 No. 9 | AATTBGb | S1 P1 |
| SEX AN 101 | Anonymous | Sumer is icumen in | ATTTBB? | S24 |
| SEX BA 101 | Bach JS | Kyrie Eleison from B Minor Mass, Palestrina: Litaniae de Beata Virgine Maria | Various | S3 P3 |
| SEX BA 102 | Bach JS | Aria from Cantata 70 | SATTTB | S1 P1 |
| SEX BA 103 | Bach JS | Concerto for 2 violins II: Largo ma non tanto BWV1043 | AATTBGb | S1 P1 |
| SEX BA 104 | Bach JS | Ricercare à 6 | SopSATBGb | S1 P1 |
| SEX BA 105 | Bach JS | Fugue from the Magnificat | SAATBB | S1 3 4 4 6 4 3 |
| SEX BA 106 | Bach JS | Concerto in D minor BWV1043 à 6, I Vivace | AATTBGb | S1 P1 |
| SEX BA 107 | Bach JS | Concerto in D minor BWV1043 à 6, III Alegro | AATTBGb | S1 P1 |
| SEX BA 201 | Baines | Fantasia for 6 Recorders | SSSAAA/T | S1 P4 |
| SEX BA 301 | Bateson | When Oriana walked to take the air | SSATTB | S1 P1 |
| SEX BE 101 | Beethoven | Adagio & Rondo a 6 Op.81b | AATTBGb | S1 P4 |
| SEX BO 101 | Boyce | Symphony no. 4 in Bflat | AATTBGb | S1 P1 |
| SEX BR 101 | Brade | New Pavans and Galliards 1614 | SSATTB | S3 P3 |
| SEX BY 101 | Byrd | The Earle of Oxford's March | SAATTB perc | S2 P2 |
| SEX BY 102 | Byrd | Fantazia No 1 | SSA/TTBB vln | S2 P2 |
| SEX BY 103 | Byrd | Fantazia No 2 | SSAA/TTB | S3 3 3 5 5 6 5 |
| SEX BY 104 | Byrd | Fantasy Sextet, Pavin & Galliard | SAATBB, AAATBB | S1 P2 |
| SEX CH 101 | Challinger | Mirror Ball | SSAATB | S4 P4 |
| SEX DE 201 | Debussy | Le Petit Nègre | SopSATBGb | S1 2 3 7 8 3 2 |
| SEX DV 101 | Dvorák | Slavonic dance FM Op. 46 No. 4 arr. Helen Hooker | SATTBCb | S5 P5 |
| SEX EL 101 | Elgar | Salut d'Amour | SopSAATB | S1 P6 |
| SEX FA 101 | Fauré | Pavane | S/Sop SAATB | S2 P2 |
| SEX FA 201 | Farmer | Fair Nymphs, I heard one telling | SSATBGb | S1 P1 |
| SEX GI 101 | Gibbons O | Goe from my Window | SSATBB | S7 7 8 7 8 8 7 |
| SEX GI 102 | Gibbons O | Fantasia IV & V | SSATBB SSATTB | S1 P2 |
| SEX GI 103 | Gibbons O | Fantasia a 6 No.6 & Scmelzer Sonata a 6 No.5 | SSATTB | S1 P1 |
| SEX GI 104 | Gibbons O | Fantasia a 6 No.6 | AATTTB | S1 P1 |
| SEX GI 105 | Gibbons O | Two Fantasias in six parts | SSATTB | S2 P3 |
| SEX GI 106 | Gibbons O | Fantasia No.3 a 6 (see also 107) | SSAATB | S1 P2 |
| SEX GI 107 | Gibbons O | Fantasia à 6 No. 3 | SSATBB | S1 P1 |
| SEX GI 108 | Gibbons O | Fantasia no. 6 | SSATTB | S4 2 2 3 3 3 3 |
| SEX GI 201 | Gibbons E | Round about her charret | SSATTB | S1 P1 |
| SEX GO 101 | Gombert | Changeons propos | SAA/TA/TTB | S1 P1 |
| SEX GO 201 | Gounod | Petite Symphonie | SAATTB | S1 P4 |
| SEX GR 101 | Grainger | Walking Tune & Handel in the Strand | SopSAATB | S1 2 4 4 4 5 5 |
| SEX GU 101 | Guerrero | O Sacrum Convivium à 6 | SAATBB | P2 4 3 3 3 2 2 |
| SEX HA 101 | Hand | Fanfare for a Festival Op 64 | SSATTB | S5 P5 |
| SEX HA 201 | Handel | Excerpts from Water Music Suite in D (Arr. Ian Moore) | SopSAATB | S1 P6 |
| SEX HA 301 | Hassler | Intradas and Gagliarda from 'Lustgarten' 1601 | SSATTB | S20 |
| SEX HA 401 | Handl | Rorate caeli à 6 | SS/AA/TTBB | S1 P1 |
| SEX HA 402 | Handl | Rorate Coeli à 6 | SSATBB | P3 |
| SEX HA 501 | Hartmann H | Motet: Wenn der Herr die Gefangnen Zion erlosen wird | SAATTB | S1 P3 |
| SEX HA 601 | Haydn | Andante from the Trumpet Concerto | SAAA/TTB | P1 |
| SEX HU 101 | Hunt T | Hark! Did you ever hear? | SSAATB | S1 P1 |
| SEX JE 101 | Jeune Le | "Prince, la France te veut" (le Jeune & Caurroy) | SSAATB | S6 |
| SEX JE 201 | Jenkins | Fantasia à 6 No. 3 | SSATBGb | S1 P1 |
| SEX JO 101 | Jones | Fair Oriana seeming to wink at folly | SSATTB | S1 P1 |
| SEX KI 101 | Kirbye | With angel's face and brightness | SSATTB | S1 P1 |
| SEX LO 101 | Lobo | Quam pulchri sunt gressus tui | A/TA/TBBBGb | S1 P1 |
| SEX LO 102 | Lobo | Versa est in luctum | ATBBBGb | S1 P1 |
| SEX MA 101 | Marshall | Gorged on Cheddar | SAATTB | S1 P5 |
| SEX MA 102 | Marshall | Four for Glasgow's Fifty | SATBGbCb | S1 4 8 9 4 2 2 |
| SEX ME 101 | Meyer | Hymne | SAB SAB | S1 P6 |
| SEX MI 101 | Milton | Fair Orian in the morn à 6 | SSATTB | S1 P1 |
| SEX MO 101 | Morley | Hard by a crystal fountain | SSATTB | S1 P1 |
| SEX MO 201 | Moritz der Gelehrte | Intrada | SSAATB | S14 |
| SEX MO 301 | Mozart WA | Divertimento à 6 in C K.270 Part 1 | ATTBGbCb | S1 34 10 10 11 7 6 |
| SEX MO 302 | Mozart WA | Divertimento à 6 in C K.270 Part 2 | ATTBGbCb | S1 17 5 5 7 4 3 |
| SEX MO 401 | Morales | Agnus Dei | SSATTTTBBGbGbCb | S1 5 5 6 6 6 7 |
| SEX PA 101 | Palestrina | Assumpta est Maria (see also SEX PA 103) | SATTTB | S1 P1 |
| SEX PA 102 | Palestrina | Sanctus à 6 (from Missa Papa Marcelli) | SATTBB | S1 P3 |
| SEX PA 103 | Palestrina | Assumpta est Maria à 6 (see also SEX PA 101) | TTBBBGb/Cb | S2 9 10 4 5 5 7 |
| SEX PE 101 | Pedley | Arabesques | SAATTB | S4 P4 |
| SEX PE 201 | Peerson | Fantazia à 6 No. 1 | SSATBB | P1 |
| SEX PR 101 | Praetorius M | Passamezzos and Galliards from 'Terpsichore' 1612 | Various | S14 |
| SEX PR 201 | Praetorius H | Gaudete omnes à 6 | SSAAAB | S1 P3 |
| SEX PU 101 | Purcell | In Nomine 1 | SAAA/TTB | S3 P10 |
| SEX RO 101 | Robinson | Dunholm Suite | SATTBB | S1 3 5 3 3 3 2 |
| SEX RU 101 | Russell-Smith | Three Touches for 6 Recorders | SS(+Sop)AATB | S4 P6 |
| SEX RU 201 | Runswick | Southwell | SATBGbCb | S1 P4 |
| SEX SC 102 | Schein | Canzon a 6 (1609) | SSATTB | S1 P1 |
| SEX SC 201 | Schütz | Herr, nun lassest du deinen diener im frieden fahren (SWV 433) | SSATTB | S1 |
| SEX SC 202 | Schütz | Hodie Christus natus est à 6 (SWV 456) | SSATTB | S2 P3 |
| SEX ST 101 | Stanford | Beati Quorum Via Op 38 | AATTBcB | S1 8 8 5 5 6 3 |
| SEX ST 201 | Strauss J Jr. | Persian March Sängerlust Polka | SSAATB | S1 P1 |
| SEX TA 101 | Taverner | Quemadmodum (arr. Colin Hand) | SAATTB | S1 P1 |
| SEX TA 102 | Taverner | Benedictus | SATTBB | S1 P1 |
| SEX VI 101 | Vivaldi | Concerto in F (F.X No. 2) à 6 | ATTBBGb | S1 P1 |
| SEX VI 102 | Vivaldi | Concerto à 6 in C (F. VI No. 2) | AATTBB | S1 P1 |
| SEX WA 101 | Ward John | Fantasia à 6 No. 5 | SSATBGb | S1 P1 |
| SEX WA 102 | Ward John | Die not Fond man à 6 | SSATTB | S1 P1 |
| SEX WA 103 | Ward John | Fantasia à 6 No. 2 | SSATBGb | S1 P1 |
| SEX WA 104 | Ward John | Fantasia à 6 No. 3 | SSATBGb | S1 P1 |
| SEX WA 105 | Ward John | Out from the vale à 6 | SSATBB | S1 P1 |
| SEX WA 106 | Ward John | Fancy à 6 No. 1 | SSATBB | S1 P1 |
| SEX WA 107 | Ward John | Come, sable night | SSAATB | S1 P1 |
| SEX WA 108 | Ward John | Fantasia à 6 No. 4 | SSATBB | S1 P1 |
| SEX WE 101 | Weelkes | As Vesta was from Latmos Hill descending | SSATTB | S1 P1 |
| SEX WI 101 | Wilbye | Fantasia à 6 for Recorders | SSAATB | S7 P5 |
| SEX WI 102 | Wilbye | The Lady Oriana à 6 | SSAATB | S1 P1 |
| SEX WI 103 | Wilbye | Fantasia à 6 | SSATBB | S1 P1 |
| SEX WI 104 | Wilbye | Draw on sweet night | SSAATB | S1 P1 |
| SEP AN 101 | Anonymous | Proch dolor/Pie Jesu | AAA/TTTBB | S13 |
| SEP BA 101 | Bamforth | EforanF | SopSATBGbCb | S1 P1 |
| SEP BA 201 | Bach JS | Jesu,Joy of Man's Desiring | SATTBGbCb | S1 3 7 4 4 4 1 2 |
| SEP BR 101 | Bruckner | Ave Maria | SSATTBB | S23 |
| SEP BY 101 | Byrd | The Bells | SSAATT/BB | S1 P1 |
| SEP CO 101 | Corelli | Concerto Grosso op 6/2 | SSB SATB | S1 P2 |
| SEP CR 101 | Crecquillon | Petite Camusette | AAATTT/BB | S1 P1 |
| SEP DE 101 | Debussy | La Fille aux Cheveux de Lin | SopSATTBGb | S1 P2 |
| SEP DE 201 | Delius | To be sung of a Summer Night on the Water | SopSAATTB | S2 P2 |
| SEP GA 101 | Gabrieli G | Kanzone 1615 (=SEP GA 102) | SSSAATB | S3 P3 |
| SEP GA 102 | Gabrieli G | Canzon VI a 7 (1615) (=SEP GA 101) | SSAA A/T TB | S3 P4 |
| SEP GA 103 | Gabrieli G | Canzon 5 (in C maj) | SSAATBB | S1 P2 |
| SEP GA 104 | Gabrieli G | Canzon 5 (transposed to Bflat) | SSATTBB | S1 P1 |
| SEP GR 101 | Grillo | Sonata Prima a 7 | SSAATTB(Cb) | S1 P1 |
| SEP HA 101 | Handel | Concerto à 7, Op. 3 No. 1 | SSAATTB | S1 P1 |
| SEP JE 101 | Jeune Le | Susanne un Jour | SSAATTB | S1 P1 |
| SEP MO 101 | Morley | Phillis, I fain would die now (2 choirs) | SSA ATTB | S1 S3 S4 |
| SEP PA 101 | Parsons | Two In Nomines | SSATTBB SAABBBB | S2 P2 |
| SEP PA 201 | Pärt | Arbos | SA STB TB (trgls) | S1 (SA)3 (STB)6 (TB)4 (tgls)1 |
| SEP PA 301 | Pascoe | Keskan II | SSATBGbCb | S1 P1 |
| SEP PH 101 | Phillips J | California Dreamin | SSATBGbCb | 3 3 5 5 2 1 2 |
| SEP PR 101 | Praetorius M | Resonet in laudibus | SSSSATB | S1 1 1 1 1 2 2 3 |
| SEP PU 101 | Purcell | In Nomine 2 | SSATT/BBB | S3 P3 |
| SEP RI 101 | Richardson | Beachcomber | SSAATTB | S1 P1 |
| SEP SC 101 | Schmeltzer | Sonata for Seven Recorders (& Continuo) | Sop/SSAAA/TTB | S5 10 9 11 11 11 10 7 |
| SEP SC 201 | Schütz | Du Schalksknecht (You Wicked Servant) | AATTTBB | S1 P1 |
| SEP SC 202 | Schütz | Auf dem Gebirge | S/AS/ATTTBB | S1 P1 |
| SEP TO 101 | Tomkins | Be strong and of a good courage | SSATTBGb | S1 P1 |
| SEP VI 101 | Vivaldi | Intro. & Allegro from Concerto grosso Op. 3 No. 2 | AAAATTB | S1 P1 |
| SEP WA 101 | Watkins | Septet for Recorders | SAATTBB+ | S1 P1+ |
| SEP WA 201 | Ward Julian | The Lewis Chess Pieces | SAATTBGb | S1 P7 |
| SEP WE 101 | Welland | Lament | SATBBGbCb | S2 4 6 6 4 4 4 3 |
| SEP WH 101 | Whitney | Gamut | GarSopSATBGb | S14 |
| OCT AA 101 | Various | Three Double Choir Canzonas (1608) | SSAB SSAB | S3 P3 |
| OCT AL 101 | Altenburg | Puer natus in Bethlehem | SSAT/ATTB | S1 P1 |
| OCT BA 102 | Bach JS | Motet Komm, Jesu, Komm | SATB+SATB | S3 P4 |
| OCT BI 101 | Biumi | Canzone Decimaottima a 8 | SATB x 2 | S1 P1 |
| OCT BO 101 | Bonelli | 2 Toccatas (1602) Cleopatra & Athalanta | SATB x 2 | S1 S4 S4 |
| OCT BR 101 | Bramieri | La Faccara | ATBGb x 2 | S1 P4 |
| OCT CA 101 | Canali | La Balzana | SATB x 2 | S2 3 3 3 3 3 3 5 7 |
| OCT DA 101 | Davies | Farewell to Stromness | SAATBBGbCb | S1 3 4 4 7 4 4 2 2 |
| OCT DO 101 | Dove | Light-dance | SopSSATBGbCb | S1 P4 |
| OCT EL 101 | Elgar | Six Easy pieces | SATB(div) | S1 P1 |
| OCT FA 101 | Fauré | Pie Jesu | ATTBBBGbGb | S30 |
| OCT FA 102 | Fauré | Pavane | SAATTTBGb | S2 P2 |
| OCT GA 101 | Gabrieli G | Sonata Pian'e Forte | SSAT AATB | S2 9 9 8 8 9 8 9 10 |
| OCT GA 102 | Gabrieli G | Canzon Septimi Toni | SATB SATB | S5 P5 |
| OCT GA 103 | Gabrieli G | Canzon XII (1615) | SATB SATB (kb) | S1 P1 |
| OCT GA 104 | Gabrieli G | Canzon Primi Toni | SAA/TB *2 | S1 P1 |
| OCT GA 105 | Gabrieli G | Chiar' Angioletta (2 choirs) | SATB SATB | S1 S4 S4 |
| OCT GA 106 | Gabrieli G | Lieto godea | SSAB SSAB | S2 S8 S8 |
| OCT GA 107 | Gabrieli G | O Magnum Mysterium | SSAB/ATTB | S1 SA4 SB4 |
| OCT GA 108 | Gabrieli G | Jubilate Deo Omnis Terra | SSAATTBB | S1 P3 |
| OCT GA 201 | Gastoldi | 2 Dialoghi: Cantiam Lieti Cantiamo & Concerto de'Pastori | SATB x 2 | S1 SA4 SB4 |
| OCT GA 301 | Gabrieli A | Aria della Battaglia | SSAATTBB | S1 P1 |
| OCT GA 302 | Gabrieli A | Ricercar per sonar a 8 (1587) | SSTTTTBB | S2 P2 |
| OCT GA 303 | Gabrieli A | Egredimini et videte | SATB/SATB | S1 P1 |
| OCT GI 101 | Gibbons O | Psalm 47 - O clap your hands | SSATBBBGb | S1 P2 |
| OCT GI 102 | Gibbons O | Psalm 47 - O clap your hands | SSAATTBB | S3 P3 |
| OCT GO 101 | Gotovac | The Dalmatian Shepherd Boy | SSAATTBB | S12 |
| OCT GU 101 | Guami | La Lucchesina (1601) | SATB(Gb) x 2 Kb | S7 P7 |
| OCT GU 201 | Gussago | Two sonatas: La Luzzera & La Terza | SSAT ATTB | S1 P1 |
| OCT HA 101 | Hassler | Kein Grösser Freud | SSA/TB SSA/TB | S4 S16 S16 |
| OCT HA 201 | Handel | For unto us a child is born (The Messiah) | SATB/ATTGb | S1 P2 |
| OCT HA 301 | Hall | Caprice for Recorder Orchestra | SAATTBGbCb | S1 4 4 4 4 4 4 4 3 |
| OCT HE 101 | Henzschel | Canzona for eight Viola da Gambas | ATBB TBBGb +org | S1 4 4 4 5 2 2 2 3 2 |
| OCT JE 101 | Jeune Le | May fait les bois (2 choirs) | SAA/TT SATGb | S1 S4 S4 |
| OCT LA 101 | Lassus | S'Una Fede Amorosa | SATB x 2 | S3 P3 |
| OCT LA 102 | Lassus | O la, o che bon eccho (2 choirs) | AATB AATB | S2 S19 S8 |
| OCT MA 101 | Massaino | Canzona XXXIV (see also OCT MA 102) | SSAB AATB | S2 P4 |
| OCT MA 102 | Massaino | Antiphonal Canzona (see also OCT MA 101) | SSAB SATB | S2 P4 |
| OCT MA 201 | Marcello | The Heavens Declare (Psalm 19) | SopSSATTBGb | S1 P2 |
| OCT ME 101 | Mendelssohn | Three seasonal motets à 8 | SSAATTBB | S3 4 4 5 5 5 5 5 5 |
| OCT PA 101 | Palestrina | Stabat Mater | ATTB ATBB etc | S1 S25 S32 |
| OCT PE 101 | Pearsall | Two Madrigals: Lay a Garland .. & Great God of Love | SAAATTBGb | S1 P1 |
| OCT PE 102 | Pearsall | Two easy madrigals: "Nigella", "Sing we and chaunt it" | SATB x 2 | S1 P1 |
| OCT PE 103 | Pearsall | In dulci jubilo | SATB/SATB | S4 P4(+4) |
| OCT PO 101 | Porta | Girometta | SATB+STTB | S1 P1 |
| OCT PR 101 | Praetorius M | Vom Himmel hoch | SAAT/SATB | S1 P1 |
| OCT PR 201 | Praetorius H | 2 Christmas hymns: In dulci jub., Joseph lieber | SSAT/ATBB | S1 SA4 SB4 |
| OCT PU 102 | Purcell | Hear my Prayer, O Lord | SSAATTBB | S1 P1 |
| OCT PU 103 | Purcell | O Lord God of Hosts | SSAATTBB | S1 P1 |
| OCT RU 101 | Rutter | Aria | SSATBBGbCb | S2 4 4 6 8 7 5 5 6 |
| OCT SC 101 | Scheidt | Surrexit Pastor Bonus (2 Choirs) | SSAT ATBCb | S1 P1 |
| OCT SC 102 | Scheidt | Christ lag in Todesbanden | STTB SATGb | S3 P3 |
| OCT SC 103 | Scheidt | Nu komm der Heyden Heyland | SSTB/SATB | S1 SA4 SB4 |
| OCT SC 104 | Scheidt | In dulci jubilo | SSAT/ATBB | S3 P3 |
| OCT SC 201 | Schröter | 3 Christmas Hymns Ein Kind, Joseph lieber, I dulci jub | SSAT+ATTB | S2 SA8 SB8 |
| OCT SI 101 | Sieg | Uxolo | SopSATTBGbCb | S1 1 3 7 7 7 7 3 3 |
| OCT VI 101 | Viadana | Sinfonia "La Bergamasca" | SATB x 2 | S5 5 5 5 5 7 9 9 9 |
| OCT VI 102 | Viadana | La Napolitana | SATB x 2 | S3 P5+P3 |
| OCT VI 103 | Viadana | La Reggiana | SATB x 2 | S1 P1+P3 |
| OCT VI 104 | Viadana | La Parmigiana | SATB + ATTB | S1 2 9 9 5 1 2 2 2 |
| OCT VI 105 | Viadana | La Romana & La Mantovana | SATB + SATB | S1 SA4 SB4 |
| OCT VI 106 | Viadana | La Bresciana | SSAT+ATTB | S1 P1+P3 |
| OCT VI 107 | Viadana | La Fiorentina | SATB x 2 | S2 P3 |
| OCT VI 108 | Viadana | La Padovana (Am) | SATB x 2 | S2 SA8 SB12 |
| OCT VI 108A | Viadana | La Padovana (Am) | SATB x 2 | S1 P 9,11,9,9,9,9,9,9 |
| OCT VI 109 | Viadana | La Padovana (Dm) | ATBB x 2 | S1 SA32 SB4 |
| OCT VI 110 | Viadana | La Piacentina | SATB x 2 | S1 P1 |
| OCT VI 111 | Viadana | La Venetiana | SATB x 2 | S2 P2 + P7 |
| OCT VI 202 | Victoria | Laudate Pueri Dominum | SATB/ATTB | S2 P2 |
| NON CL 101 | Clarke R | Heading West | SSAATTBBCb | S1 P1 |
| NON HA 101 | Handel | Two Movements from the Water Music | AAB+SAATTB | S4 P4 |
| NON HA 102 | Handel | Concerto Grosso Op 6 No 1 | SSAATTBGbCb | 3 3 4 4 6 6 2 1 2 |
| NON HA 201 | Hassler | Angelus ad pastores ait | SSAT/SATTB | S1 P1 |
| NON KR 101 | Krommer | Nonet for Wind nstruments, Op. 79 | SAATTBBGbCb | S2 2 3 3 3 3 2 2 2 2 |
| NON MA 101 | Marshall | The Dream-Country | SAATTB GbCbscB | S1 3 3 3 3 3 3 2 2 1 |
| NON SC 101 | Schickhardt | Allegro | SSAATBBGbCb | S1 4 4 5 5 7 5 4 4 4 |
| NON WA 101 | Walton | Suite for recorders | SAATTBBGbCb | S1 1 2 2 2 2 1 1 1 1 |
| NON WY 101 | Wynne | Joyride | SSAATTBGbCb | S1 3 4 3 3 4 2 4 2 2 |
| DEC AA 101 | Anonymous | Keď sa vlci zišli | SSAATTBBGbCb | S2 4 4 5 4 8 7 5 4 4 4 |
| DEC AA 102 | Anonymous | Vem kan segla förutan vind? | SSAATTBBGbCb | S1 3 3 3 3 5 5 4 3 3 2 |
| DEC AA 103 | Irish Traditional | The Butterfly | SSAATTBBGbCb | S1 3 3 4 4 6 5 3 3 2 2 |
| DEC AA 104 | Anonymous | Abbot Bromley Horn Dance | SSAATTBBGbCb | 2 1 4 2 5 5 1 1 1 1 |
| DEC AA 105 | Anonymous | Het Gedelken | SSAATTBBGbCb | 5 5 7 7 6 7 2 2 2 2 |
| DEC AA 106 | Anonymous | Pavane du Marriage du Roi | SSAATTBBGbCb | S1 6 4 8 6 8 8 4 4 4 3 |
| DEC AA 107 | Anonymous | Two Bulgarian Dances | SSAATTBBGbCb | S1 6 7 10 7 7 8 4 4 4 3 |
| DEC AA 108 | Anonymous | La Luna Sefardita | SSAATTBBGbCb | S1 5 6 7 6 8 8 3 3 2 2 |
| DEC AA 109 | English Trad. | Blow the Wind Southerly | SSAATTBBGbCb | S0 3 4 9 7 8 8 3 4 2 2 |
| DEC AR 101 | Arnold | Two Cornish Dances (nos 1 & 3 from 4 c.d. Op 9b) | SSAATTBBGbCb perc | S1 P1 |
| DEC BO 101 | Boyce | Finale | SSAATTBBGbCb | S1 4 4 3 3 5 5 3 3 3 2 |
| DEC CO 101 | Copley | Andante for Recorders | SSAATTBBGbCb | S1 2 2 4 4 4 4 3 3 2 1 |
| DEC DE 101 | Debussy | La Fille aux Cheveux de Lin | SSAATTBBGbCb | S2 6 5 9 10 10 8 6 5 6 3 |
| DEC GA 101 | Gabrieli G | Canzon Primi Toni & Canzon Duodecimi Toni | SSSSSAAABB(or 8') | S4 P4 |
| DEC GA 102 | Gabrieli G | Benedicam dominum à 10 | SSSAT+TTBBB | S1 P1 |
| DEC GA 103 | Gabrieli G | Surrexit Pastor Bonus | SSAAT+ATTBB | S1 P1 |
| DEC GR 101 | Grainger | Mock Morris | SSAATTBBGbCb | S1 3 3 8 7 8 8 4 4 2 2 |
| DEC KI 101 | Kitarō (喜多郎) | Silk Road | SSAATTBBGbCb | 3 4 5 5 7 8 5 4 4 4 |
| DEC LA 101 | Lassus | Hor che la nuova e vaga primavera | SSATB SATTB | S2 S8 S8 |
| DEC LA 201 | Landi | Augellin | SSATTBBBGbCb | 4 4 5 6 5 2 2 2 1 2 |
| DEC LU 101 | Lully | Chaconne des Africains | SSAATTBBGbCb | S1 3 4 5 5 7 8 4 4 3 3 |
| DEC LU 102 | Lully | Passacaille from Armide | SSAATTBBGbCb | 4 4 7 8 6 7 2 2 2 2 |
| DEC MA 101 | Manning | Wolf Suite | SopSSAATT BGbCb | S1 P1 |
| DEC MO 101 | Mozart WA | Overture - Cosi fan Tutte | SSAATTBBGbCb | S1 P3 |
| DEC MO 201 | Monn | Symphony in C | SSAATTBBGbCb | S2 2 3 5 6 8 6 4 3 4 3 |
| DEC MU 101 | Mussorgsky | Pictures at an Exhibition | SopSAATT BBGbCb | S1 P4 |
| DEC PR 101 | Praetorius M | Courante (Terpsichore CLXXXIII) | SSAATTBBGbCb | S1 5 4 9 9 8 8 3 3 2 2 |
| DEC PR 102 | Praetorius M | Ballet | SSAATTBBGbCb | S0 5 4 10 9 6 7 6 6 5 2 |
| DEC SC 101 | Scarlatti D | Capriccio, Fugato | SSSSAATTBB | S4 P4 |
| DEC SI 101 | Silcocks | The Garbsen Jig | SATTBB GbGbCbCb | S1 P3 |
| DEC TE 101 | Telemann | Allegro Finale | SSAATTBBGbCb | S3 5 5 9 8 8 6 7 4 5 3 |
| DEC ZE 101 | Zelenka | Capriccio in F, Andante & Fugue | SSAATTBBGbCb | S0 5 4 9 8 7 7 6 7 5 2 |
| UND AA 101 | Anonymous | Chekassia | SopSSAATTBBGbCb | 3 5 6 8 7 9 9 4 4 4 3 |
| UND HO 101 | Holst | Dargason | SopSSAATTBBGbCb | 1 4 5 6 5 7 6 3 3 2 3 |
| UND MA 101 | Martin | Surrey Leaves Fantasia | SopSSAATT BBGbCb | S1 P4 |
| UND TE 101 | Telemann | Chaconne | SSAATTTBBGbCb | 6 6 6 6 8 7 5 3 3 3 2 |
| UND TO 101 | Touchin | Manchester Welcome | SopSSAATT BBGbCb | S1 1 1 1 5 5 5 5 1 1 0 1 |
| DDEC GA 101 | Gabrieli G | Canzona XIII | SSAB SAAB SATB | S2 P3 |
| DDEC GA 102 | Gabrieli G | Dreichörige Kanzone | SSTB SSTB SSTB | S1 P1 |
| DDEC GA 103 | Gabrieli G | Canzon noni toni à 12 | SATB * 3 | S1 P1 |
| DDEC GA 104 | Gabrieli G | Angelus ad pastores ait | SSAATT ATTBBB | S1 P1 |
| DDEC GO 101 | Gordon | Quercus Quodlibet | SATBGbCb * 2 | S1 1 1 1 1 1 1 4 6 6 5 2 1 |
| DDEC MA 101 | Martin | Journey to Skye | SopSSS/AAATTBBGbCb | S1 3 3 3 6 5 5 5 5 5 5 3 3 |
| DDEC SI 101 | Simon | The Sound of Silence | SSAATTTBBGbGbCb | 3 3 8 8 7 6 7 4 4 2 2 2 |
| 15 HA 101 | Handel | Zadok the Priest | SAT AATBGb AAATTBB opt timp | S1 3 4 3 4 4 6 4 5 3 3 6 4 6 3 3 |
| MIX AA 101 | Various | Twelve English Country Dances(from the Apted Book) | SAT (ad lib) kb | S14 kb3 |
| MIX AN 101 | Anonymous | 1688: Petite Suite | SS kb | S1 P1 |
| MIX BA 101 | Bach J Christian | Sonata in G | SS kb | S1 P1 |
| MIX BA 201 | Bach JS | Allegro from Trio Sonata in C BWV 529 iii | AA kb | S1 P1 |
| MIX BA 204 | Bach JS | Aria from Cantata No 202 | ST kb | S1 P1 |
| MIX BE 101 | Becker | Suite | SSATB kb | S3 P12 |
| MIX BI 101 | Biber | Sonata pro Tabula à 10 | SSATB v,v,vi,c kb | S1 + str |
| MIX BO 101 | Bonsor | Fiesta | SAT kb | S2 7 10 7 |
| MIX BO 102 | Bonsor | Tango | SAT kb | S3 11 13 13 |
| MIX BO 103 | Bonsor | Rumba | SA kb | S2 P3 |
| MIX BO 104 | Bonsor | Hoe-Down | SA + Piano | S1 P3 |
| MIX BO 105 | Bonsor | Hebridean Suite | SA + Piano | S1 P13 |
| MIX FA 101 | Fauré | Cantique de Jean Racine (arr. Bonsor) | SATB Kb | S4 6 6 6 5 |
| MIX FO 101 | Fortin | Zwölf Steirische Tänze | SATB gt | S1 P1 |
| MIX HE 101 | Heinichen | Concerto No 8 in C Major | 4 Recorders + Piano | S1 P1 |
| MIX HO 101 | Hotteterre | Suite C Maj | SA(B)kb | S1 |
| MIX PA 101 | Paisible | Sonata | AAAA + Piano | S1 P8 |
| MIX PE 101 | Pepusch | Sonata in D Minor | A + Guitar | S1 P1 |
| MIX PO 101 | Powell | Trio Sonata No 4 | SAT + Piano | S2 P9 |
| MIX RA 101 | Rachmaninov | Vocalise arr Brian Bonsor | SAT + Piano | S2 P8 |
| MIX RA 201 | Ravel | Ravel M: Pavane Pour Une Infante Defunt | SATBGbCb + Piano | S7 12 14 16 13 9 2 |
| MIX SA 101 | Salkeld | Salkeld R: First Concert Pieces | SA + Piano | S2 P2 |
| MIX SC 101 | Schickhardt | Concerti for 4 Treble Recorders | AAAA + Piano & Basso Continuo | S2 P2 |
| MIX SC 201 | Schultze | Ouverture from Suite No I in F Major | AA + Piano + optional cello | S1 P1 |
| MIX ST 101 | Strauss J Jr. | Wine, Women & Song | SSAA + Piano | S4 P4 |
| MIX ST 201 | Steffe | John Brown's Body (arr Bergmann) | SSA str perc kb | S1 P1 |
| MIX TE 101 | Telemann | Short Trio Movements | SA + Piano | S1 P1 |